Jean Lurçat (1892-1966)
The work of Lurçat is marked by cubism and a form of metaphysical aesthetics - between de Chirico and surrealism - which will constitute the ferment of his language of maturity. He gradually abandoned painting for the art of tapestry of which he became one of the great representatives. Jean Lurçat contributes to its revival and its inclusion in the modernity after the Second World War.

Works of art by the artist Jean Lurçat

Gaston Paris / Roger-Viollet
Biography of artist Jean Lurçat
A native of the Vosges region, Jean Lurçat studied under Victor Prouvé at the École Nancy, founded in 1901 by Émile Gallé, who advocated the meeting of art and industry, art and decoration. He moved to Paris in 1912, at the height of the Cubist movement. After a brief spell at the École des Beaux-Arts, he entered the Académie Colarossi. Trained as a painter, but strongly influenced by decorative practices, Lurçat soon tried his hand at tapestry. In 1917, his mother commissioned his first canvas-stitch tapestries, Filles vertes and Soirée dans Grenade. After the war, he traveled to Switzerland, Germany and Italy. He exhibits in Zurich, Geneva, Berne and Paris at the Salon des Indépendants (2 tapestries and 4 canvases). Lurçat settles in Paris with his future wife Marthe Hennebert. She creates his two tapestries, Pêcheur and Piscine, in petit point.
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