Haas, Michel, Motard, 1998

This figure in action, a recurring theme in the artist’s work, echoes a founding episode for Michel Haas in its clay color and materiality.

” There’s a permanent creation of the image through materiality, and at the same time, it only exists because there’s an image. And what matters most to me is precisely the image, the painting I’m going to make, the human dimension this painting will have (…)”.

Interview for Libération with Henri-François Debailleux.